Runaway to the Stars: Page 209

It's not worth a fortune, it's priceless beyond measure.

Transcript

Bip: That’s an antler velvet blanket.

Talita holds up the blanket, her arms and the bottom of the artifact appearing to melt away into a series of embroidered depictions of the past crew created with the same stitches as the symbols on the real blanket.

Bip: Every year, the matriarch Ngilick would help the clan carve off their loose velvet.

An embroidered depiction shows two centaurs, one carving off the antler velvet with a knife. The "knife" is a pointed piece of bone with a hole on the wide end. It's punctured through the embroidery surface to go under Ngilick's hand, with the hole sewn down. The antler velvet appears to be an applique. 

Bip: The raw skin would be washed in salt water and stretched to dry.

An embroidered depiction shows Ngilick pinning pieces of velvet to dry, depicted as applique triangles held down by knots.

Bip: The stiff dried skins were massaged with animal gland oil until they softened and cured. Ngilick would sew the panels into the blanket and embroider them with the year's events.

An embroidered depiction shows Ngilick sewing pieces of the velvet onto the blanket. They hold the sewing needle with their trunk, portrayed as a real, threaded needle puncturing the embroidery surface.

Bip: Some of those panels are from Ngilick's great-grandclan. They might be over 100 years old.

An embroidered depiction shows a group of centaurs proudly holding up the blanket, a rectangle of tessellating applique triangles.

Runaway to the Stars: Page 209

It's not worth a fortune, it's priceless beyond measure.

Transcript

Bip: That’s an antler velvet blanket.

Talita holds up the blanket, her arms and the bottom of the artifact appearing to melt away into a series of embroidered depictions of the past crew created with the same stitches as the symbols on the real blanket.

Bip: Every year, the matriarch Ngilick would help the clan carve off their loose velvet.

An embroidered depiction shows two centaurs, one carving off the antler velvet with a knife. The "knife" is a pointed piece of bone with a hole on the wide end. It's punctured through the embroidery surface to go under Ngilick's hand, with the hole sewn down. The antler velvet appears to be an applique. 

Bip: The raw skin would be washed in salt water and stretched to dry.

An embroidered depiction shows Ngilick pinning pieces of velvet to dry, depicted as applique triangles held down by knots.

Bip: The stiff dried skins were massaged with animal gland oil until they softened and cured. Ngilick would sew the panels into the blanket and embroider them with the year's events.

An embroidered depiction shows Ngilick sewing pieces of the velvet onto the blanket. They hold the sewing needle with their trunk, portrayed as a real, threaded needle puncturing the embroidery surface.

Bip: Some of those panels are from Ngilick's great-grandclan. They might be over 100 years old.

An embroidered depiction shows a group of centaurs proudly holding up the blanket, a rectangle of tessellating applique triangles.

106 thoughts on “Runaway to the Stars: Page 209

  1. Ohhhh the way the centaurs look indistinct with the embroidery, only silhouettes, but their tools and remains are solid. OUGH.

  2. Ahhh the contrast with Talita throwing her velvet sheds in the trash a few pages prior ;w; lovely work as always

    1. Thinking more, she’s doing it in such a shameful way too. Like she had to slink off to handle it privately and kinda hoped people would pay her no mind while she does it. Something that’s the basis of a tradition that brings others a sense of belonging and kinship is just something she sees as an embarrassing nuisance that her body just does to her from time to time that makes her feel alienated and weird.

  3. I want to learn that tidy little knot stitch that Ngilick’s using!

    1. Looks like a French knot or a variation of it to me!

      1. It could be a knot, but my money is more on a bead. It’s less likely to fray over a 100 years of manipulation, and it probably gives a tidier appearance to the back.

        This being said if it’s a french knot it’s one with going 4-6 times around the needle instead of just 2 times. Sounds like a nightmare to me XD

  4. Such beauty, such heartbreak. The records survived, but not those who kept them.

  5. Other commenters have already voiced some of my own thoughts, so an additional note: the fact that Bip says “great-greatclan” to describe the clan that Ngilick and was descended from. It’s an interesting choice of term; if it maps to human familial terminology, then that’s a long way back. It also implies, at least to me, that Ngilick had that blanket from the beginning of their clan’s time in space.

    1. Some of this blanket predates the first contact (80 years ago). It might even be recorded on the bkanket itself!

      1. 80 years, with two velvets per centaur per year, and most clans being between half and a full dozen centaur, is likely 1600 velvets or more, just to get to first contact. I mean, the patchwork blanket is big, but is it really that big?

        1. If the blankets tend to become too big to haul around (remember that the centaurs who became starchasers predominantly were members of nomad clans prior), I’d expect them to pick the most important historic events’ velvets to transfer to a new blanket. And first contact should be considered quite important.

          Also, if nothing else, I would expect Ngilick to have recorded how they came to be the Runaway’s crew. And it’s quite unlikely that another clan branched off theirs (and took a part of the velvets with them) since.

          2nd velvet to the right of Talitas left wrist looks rather “spaceship and planet” to me …

    2. That term, “great-greatclan,” sounds like an English localization Bip is making on the spot, but also gives insight into Centaur clans… a clan is a moment in time, in a way… making each generation of the clan feel like a generation of ancestors. I’m incoherent, but do you see what I mean?

  6. I do believe this might just be a test…

    1. As in, Bip’ll ask to see Talitas sampler next … ?

  7. What if I sobbed and cried and curled up in a corner, actually
    This page is so sad and beautiful, the time and effort it must’ve taken to make such a blanket..
    I wonder if Bip feels like they have to get rid of it, if they felt like they didn’t deserve to have it on the ship after the incident

  8. 😭👍 ❤️💕

  9. I must admit, I wouldn’t be able to stomach any human equivalent of this.

    1. Maybe cutting your hair each year in order to make a piece of cloth? I don’t know

      1. I’ve known some people to knit their own hair into things. Not really my deal. I knit to fidget. It’s just an endless scarf 🧣

      2. Plenty of human cultures see the first cut of a baby’s hair as precious, so they braid it and save it inside jewelry or alongside baby photos. The victorians used to use hair to make jewelry, especially in mourning. There’s a few tales of a woman giving a lock of hair as a courting gift, or within a letter of longing.

        This would just be combining those into a generational thing. Braids of hair woven into precious artful ropes, perhaps or interwoven into blankets?

    2. I bet it’s so soft though

    3. The human equivalent, hairwork, uses hair woven and braided into intricate patterns.
      It’s fascinating and beautiful.

  10. Im wondering who inherits the ancestral blanket? The oldest daughter in each line perhaps? Which means finding one this old by chance is espeially rare!

    1. By oldest daughter i mean first to split to head her own clan. But if this blanket is kept until the death of the last matriarch then maybe not! : )

      1. If you split the clan, you could split the blanket too. Sewing is like that, it’s possible to undo some stitches, and give a section to each new matriarch. That would explain why the blanket isn’t as big as it might be if it were 100 years old with no stops…

        1. ooh i love this. more illustrious years or more esteemed ancestors go to favored decendants…

  11. this page is so moving I felt compelled to leave a comment for the first time omg, the embroidery depictions hit me in SUCH an impactful way, absolutely stunning work! I can’t imagine how Talita is feeling in this moment, that piece has so much history and weight to it

    also super curious how Bip feels about it as well, as they do seem like they’re trying their best to close themself off to the emotional weight of their lost crew… I wonder if AI sophonts can just turn off inconvenient emotions, and if that impacts them at all in the long-run

    incredible work as always, super excited to continue reading this amazing project!

  12. I love the art style depiction

    “priceless beyond measure” indeed

  13. This is evocative of the possum skin cloaks used by aboriginal people in South Eastern Australia, which were similarly decorated, and every bit as well made.

    … and next page will have Talita pondering what it was she recently tore off into a nearby rubbish bin.

  14. This is a gorgeous page!!! I love the stitchwork style used to illustrate Bip’s explanation, it really ties the concept together!!!

  15. Oh, this might be the most cleverly done page yet, in my opinion! You play so wonderfully with the medium

  16. The small cultural details created for the setting never ceases to enthrall me, huge part of why this world is so inviting and lifelike

  17. I’ve admired every inch of that blanket, haha. Beautiful illustrations on this page, as a fibre crafter the stitch work is gorgeous and feels real. I can practically imagine the way that blanket feels

  18. the imagery being antler velvet embroidery…. i know i’m not the only one to say this but fuuck. if i was an easier crier i’d be crying now. this is cry adjacent. god

    1. ouggghh.. and like 3 pages after we saw Talita throwing her velvet in the trash………… i’m feeling some kinda way about this

      1. Yeah, I realized on the drive home last night, that the whole POINT, of the long-anticipated velvet-ripping gag, was THIS.

  19. I think I could figure out what this says if I had more information. Like are these hyroglyphic words or are they pictgrams of the events? Am I looking at one per triangle or two or o some have three? Where’s an alien rosetta stone when you need one?

    1. Why, there’s one (see AMA 3) crawling all over the ship walls, of course. 🙂

    2. Depends on the language. I think at the beginning Cal said only 3 languages had been documented and they were all settled Centaurs. Sunchaser nomads probably aren’t documented. They existed in a tiny world, coasting through the stars. Bip might know what it means though. They were there.

  20. And it’s all come to a crashing, hard stop. :C

  21. this is such a fun way to illustrate it! <3 I wonder if Talita will want to keep it…

  22. What sort of glands?

    1. Oily kind

    2. I reckon not dissimilar to the ones ducks have to make oils to keep their feathers waterproofed.

    3. Oil. I sometimes work with leather and know how to upkeep the leather for some of my cosplay stuff. Today you can get synthetic oil but before that animal fat was the choice. Easy to get. I’m not sure what kinds of alien fauna produce oil, only Jay knows

      1. they probably used their epic pirate money to import/buy oil at local markets. given centaurs have feathers, its POSSIBLE they could use their own oils in a pinch, but i think getting squeezed for oil is probably uncomfortable for all parties lol

  23. 100 years? This thing pre-dates their first contact!

    1. It probably has records of first contact. Similar to Bald Rock in Australia which depicts everything from hunting kangaroos with spears to airplanes.

    2. slight spoilers from the centaur culture section on jay’s website // true! while i knew about the existence of skychaser clans i hadnt really considered the fact that some of those wouldve been direct descendants of pre-established clans with a long history like this, rather than just newly established clans of people who all wanted to go to space…

  24. i hope talita keeps it <3

  25. A whole history! The most priceless thing in the universe 🤩

  26. Ugh this is such a good paaaage!! And I’m so glad Bip explained immediately. Already knowing what this was as a viewer, knowing Talita didn’t know, was stressful haha.

  27. This page is … as beautifully executed as it is emotionally impactful. I just keep looking at all the details while feeling Bip’s loss. Just … excellent work.

    1. Yeah this is gorgeous. Real work of art on that Jay. ♥️

  28. So, how many velvets’ real estate does a matriarch have to embroider the year’s events onto? Because I’m under the impression that every single velvet in the blanket holds the equivalent of one or two “keywords” at best, so either they’d need a lot of velvets for proper chronicling, or it’s really just keywords and quite a lot of context would have to be handed down by living memory …

    1. I think there were ten centaurs, two velvets each, and it’s mentioned here to be annually, so that’s 20 pieces, and it looks like there’s one ideograph on each. Using Classical Chinese as a point of reference, you can fit a pretty detailed headline-style sentence into 20 ideographs, something like “Year 17 – prosperity, bought new engine, so-and-so-died of old age, beat the legal rap re: 800 quantum phones…”

      1. That’s an upper limit, though, assuming that there were no velvets damaged during the processing, or too different in size to fit into the blanket, or lost to rot because the sterilization didn’t work fast enough, or insufficient due to illness (or malnutrition in deep space …), etc..

        On the flip side, I know that centaurs have issues with their close-up vision, but the blanket on this page gives me the impression that they could have crammed a good deal more glyphs onto the canvas … Just compare the “scripture”‘s density to that on page 105 …

        1. some centuar writing systems are also tactile based, that could also be part of it!

  29. The little 2 x 3 arrays of circular beads on a few pieces reminds me of how centaurs usually have 6 babies at a time. I wonder if it represents how many were born or matured that year. Especially with the 5-bead one arranged in such a way that seems to imply one “missing.”

    1. Ooh, good observation and good theory!

    2. one missing you say…..

      1. Not impossible, that thought 😉👍 – only, with the speed the story is going (not that I mind 🤷‍♂️ – drawing _is_ hard, and with a story on that level probably even more…), that kinda reveal, if it was real, _may_ not happen before Episode 1000 or so 😁…

      2. Yeah, I was more so thinking of something as simple as a stillbirth (sorry if that’s kinda dark for the silly comic comments section??). I suppose it’s possible that it’s related to our gal, but on a more meta-level I feel like this story is more “Talita ended up in human care for unknowable reasons and has to make the best of it” as opposed to “Talita ended up in human care and now must solve the mystery of her origins” yknow? I personally really enjoy the mystery because like, yeah, sometimes shit just sucks for no good reason.

    3. The Opossum Witch

      if i may posit, those “beads” look closer to embroidery knots like a french knot!

  30. I LOVE THIS PAGE!!!!!!

    I wonder what the “right thing” would be to do in this case. If it were a human family, it would be to give it to next of kin and barring that giving it to a museum or archives for preservation and storytelling, but the clan structure and history of Centaurs makes me think that nobody else would want it other than as a material object/money. It feels wrong to throw it away, even more so now.

  31. Bip is a real opportunity for Talita to learn about centaur culture from someone who knows it deeply but doesn’t have expectations that Talita should already know things. She should make the most of it.

  32. yknow, just before this page I wondered if centaurs would use their trunks to manipulate objects. my thought specifically was whether or not they might hold a needle in their trunk if their hands were full! It might just be non representative, but the mental image of ngilick gingerly sewing the velvets by trunk feels a lot more intimate. And the clan member with the curled up trunk… these memories are warm and happy. how devastating it might be to hold a treasured piece family history. Talita’s birth culture has never been closer and further away. she missed them. just barely.

    1. talita uses her trunk on touchscreens!

    2. And the stitched style also looks like constellations, to me, giving a very “ships passing in the night” sadness. Just missed them.

  33. This page is so pretty oohhh… the centaur drawings also having lines to look stitched in like the things on the leather….
    Also the juxtaposition between these centaurs carefully saving their velvet and putting it through this whole delicate process to turn it into leather and adding it to this precious treasure old heirloom, and Talita just tearing hers off and throwing it away earlier…
    Also is this sort of like if humans made stuff out of like their clipped loose fingernails? Or something?? I can’t think of a good equivalent
    Also seriously don’t throw this put what the hell bip…
    But seriously so cool and awesome…. I hope that the story has yet more stories about these centaurs told from bip’s perspective…..
    God i love this comic so much!!!!!

    1. *out not put and *treasured not treasure oh my god i have Typo Curse I am so sorry

      1. Better a type-o than a sew-o, right? 😉

        > sort of like if humans made stuff out of like their clipped loose fingernails?

        Not a lot of practical use in that, I suppose. X-P Real hair would be more appropriate – it’s used for extra-realistic wigs, and I guess one could possibly use it for weaving or making yarn, too.

    2. I think a human analogy could be something like this:
      https://en.wikipedia.org/wiki/Hairwork

    3. The Victorians made jewlery out of hair as a way of mourning

  34. Oh man, imagine if talita takes this to like an expert to find out whats written on it, and she finds something out about her origin.

    Also, ✨CROSSTICH CENTAURS✨

    1. Bip probably knows what it says, I would think?

      1. I can also see them being kinda clammy about it though.

        1. “Next velvet … That’s the Runaway’s symbol on the top again, but the one below is new. What’s it stand for?”
          “Umh … the Bug Ferret Federal Reserve Bank …”

  35. Wow, what a powerful page. I really enjoy learning about this alien culture.

  36. “Here’s a crash course in your cultural heritage as well as a reminder of my dead family.”
    Well, it’s not like there was a *delicate* way to put it.

  37. Hitting my emotions with hammers (positive)

  38. And Talita who thought this worth a fortune because it’s real leather. Oh dear, it so much more.

  39. Yep. Family history written on the family itself.

  40. I love that you chose to render the story in embroidered stitches. Very nice stylistic choice <3

  41. I’m not crying, YOU’RE crying.

    This is my favorite moment so far in the whole story, for so many reasons… how am I gonna keep this brief?

    I’ve wanted to know about the Centaur clan’s handmade traditional items since Talita first saw the cargo hold when fixing Bip’s power supply.

    Bip is finally opening up about their crew. They’ve even said the matriarch’s name, Ngilick, aloud. For a Human, this would be groundbreaking…

    This page recontextualizes SO MUCH of the lore page’s writing on Centaur society. The way Bip tells it, Ngilick sounds more like a loving mother and a servant leader, rather than a ruthless and exalted political potentate. Cutting off their velvet herself, making the blanket herself… there’s love there. I didn’t expect that, and it’s beautiful. Powerful.

    Talita hasn’t ever been *allowed* to make meaningful connections with anyone who has a body like hers, for many reasons. And here she’s holding something that, while it was made by someone she could only barely understand, was also made by someone with a body like hers… out of parts of those bodies. That’s… something, anyway.

    And we have to talk about Jay’s choice to illustrate this story by showing us a non-diegetic embriodered leather blanket. Jay is an absolute genius.

    1. YES to EVERYTHING.

    2. hear hear! (and you’re right.. I am crying)

    3. I’m not sure what about how the lore page describes Centaur societies made you think that their matriarchs were generally ruthless and uncaring? As far as I can tell, there’s nothing written there which jumps out to me as explaining them or their role in that way.

      1. maybe the larval culling? that’s pretty counter to most humans’ views on what is okay to do to infants. fourth trimester abortion

      2. There is a note about how a domineering matriarch might have the spinnerets of worker females amputated to prevent them from raising young of their own. Ruthless and uncaring might also come across from their aggressive attitude towards unrelated young. But that’s projecting human morality on them, and it’s not entirely fair when it’s a consequence of their biology.

        1. Chase Wanderstar

          Counterpoint, there are also behaviors borne from *human* biology that humans, at least humans in most major modern civilizations, find distasteful at best. Honor dueling as a way to maintain face, for instance, is quite transparently a manifestation of the instinct to maintain social standing found in apes and baboons.

      3. I was thinking about that last night, I believe part of it is my personal view of hierarchical and autocratic societies… even families, like the patriarch in Ha Jin’s novel Family. I tend to assume that they inevitably become exploitative.

      4. I would say the centaur pages, by their nature, are very impersonal and talk more about the matriarchy and clan structure *as structures*, whereas this page you’re getting to see more of the intimacy of said clan unit that you don’t quite get the emotions of in the descriptions in that page.

        For obvious reasons, but still.

    4. “This page recontextualizes SO MUCH of the lore page’s writing on Centaur society. The way Bip tells it, Ngilick sounds more like a loving mother and a servant leader, rather than a ruthless and exalted political potentate. Cutting off their velvet herself, making the blanket herself… there’s love there. I didn’t expect that, and it’s beautiful. Powerful.”

      you put my exact emotional reaction into words. thank you!

  42. we have a name 🥹

  43. And there was Talita, simply ripping hers off.

    How detached she must feel from a people that are purportedly hers. How adrift she must feel.

  44. And she was just ripping off and throwing away hers? Could’ve been making some money on the side, if the material is so expensive.

    Having said that, the value of this blanket is immeasurably sentimental. It’s worth infinitely more to let it rest with the clan, than any amount money.

  45. I really wonder how AI show their emotions through their speech because seeing that, mentioning that, after doing undertaker services, oh my god. they are too CHILL about this when i KNOWWWWWWW they can’t be UGHHHHAUHHGUHH

    1. I like to imagine its the difference between speaking, texting in a messenger, and email.
      There’s varying levels of control you get, versus varying levels of context you can convey.
      In Bip’s case, it seems closest to texting in a messenger. While things are time-sensitive, xey can control a great deal of their tone and belie their true feelings, when xey choose to. A trait I somewhat envy.

  46. Oh my god. BIPPPPPP. THATS SO MUCH HISTORY RIGHT THERE….

    1. And what are you going to do with all that history? Keep it, sell it, it’s going to raise questions regardless, questions no AI going underground could afford to have thrown their way.

      1. maybe she will give it some kind of burial

      2. I don’t see how, I mean the talita could just say it’s hers

        1. Well, at this point in time Talita is not planning on leaving with Bip. I think most people who know her on dirtball would know that she does not and could not have something thats made of more velvet than she could have possibly produced at this point. Mel especially would know she didn’t have that before if they found out.

    2. oof. hopefully talita doesn’t feel *too* bad about just throwing hers away after seeing this….

      1. oops, accidental nest!

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